India Couture Week 2017: Designer Anamika Khanna Talks About Her Collection Luxury 2017

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One of the leading and celebrated fashion designers of India, Anamika Khanna, exhibited her collection Luxury 2017 ‘Happily Ever After’ as installation pieces at The Kila, Mehrauli, in the capital, marking the beginning of India Couture Week 2017.

The installation show by the designer was attended by the who’s who of the fashion industry including Masaba Gupta, JJ Valaya, Sonam Kapoor’s mother Sunita Kapoor and others.

Luxury 2017 – which delves into historical references at the same time keeping in mind that the bride is new age, educated and with a mind of her own – is an amalgamation of the various rituals of the Indian wedding and the clothes relevant to them.

Credit: @FASHIONDESIGN COUNCIL OF INDIA

Expressing her thoughts on the collection, designer Anamika Khanna, in an exclusive chat with News18.com said, “We were looking at the whole wedding which has different functions -mehendi, lunch, cocktail and the pheras, that’s what we are trying to do. We are trying to do the spaces, clothes and jewellery accordingly.”

Divided into stages or so to say wedding functions, Anamika’s collection showcased in detail garments one could wear at every occasion.

Credit: @FASHIONDESIGN COUNCIL OF INDIA

Elaborating on the technique used in the collection the designer added, “Different functions use different techniques and there’s a huge range. Since it’s a couture collection, there is no repetition of anything. So far, the kind of techniques that we have are almost hundreds. There is thread work, metallic, zardosi, there’s everything in the whole collection.”

Credit: @FASHIONDESIGN COUNCIL OF INDIA

The designer has used different techniques and embellishments for the outfits based on which function they have been created for. For instance, outfits for the wedding lunch had embellishments ranging from thread work to various techniques of zardozi. Garments for mehendi featured embellishments including gota, old kinaris, dori work and burnished gold and silver work whereas the cocktail ensembles looked more experimental with zardozi burnt to black, beating silver metal, tassels and beadwork.

The collection is ethereal and romantic, yet eclectic and experiments with border shapes.

 

[Source”GSmerena”]